In the series “Obsolete,” Alexander Grawoig redefines the boundaries of perception and reality through works on handmade paper, thoughtfully mounted in wood frames and deliberately exposed without the barrier of glass. This intimate presentation facilitates an unmediated encounter between the viewer and the artwork, fostering a direct and profound engagement.

Each piece in “Obsolete” arises from a deep observation of the mechanisms that shape our understanding of history and truth. The series addresses the themes of skewed narratives, historical erasure, corruption, and manipulation, confronting us with the complexities of our shared human experience. Through this lens, the artist seeks to illuminate absolute truths often obscured by the forces that distort reality.

The lack of protective glass invites viewers to engage more closely and vulnerably with the work, symbolizing the fragile and often exposed nature of truth itself. The handmade paper, with its unique texture and materiality, serves as a potent metaphor for the delicate yet resilient fabric of history and memory.

“Obsolete” challenges us to reflect on the nature of historical narratives and the forces that influence their creation and preservation. It urges viewers to question the integrity of what is presented as truth and to recognize the power of art in uncovering and revisiting these narratives.